As I roamed around the venue of the new London Festival, Black on the Square (BOTS), it was evident that the organizing committee had put tremendous effort into creating a perfect festival, and their hard work was reflected in every aspect of the event.
One of the most striking features of BOTS was its exceptional facilities and program outline. It was heartwarming to see a “missing child stand” where parents could report and find their lost kids—a thoughtful addition that is often absent or limited at many large festivals. The provision of ample, spacious toilets that could accommodate four times the festival’s population was a testament to the organizers’ attention to detail.
The festival left me wondering if London might soon have two iconic Notting Hill festivals next summer because, for a first edition, Black on the Square was an absolute joy to attend.
Trafalgar Square was transformed into a beautiful Eden during BOTS. The diversity in the crowd was heartening to witness, with mixed interracial couples, both young and old, coming together to celebrate unity and love. The presence of a significant number of white attendees highlighted the festival’s message that being black extends beyond the color of one’s skin. These individuals exuded a beautiful African energy that was truly indescribable but deeply felt.
The music at BOTS was a unifying force, showcasing hits from the 60s to the present day from various black origins. DJs and invited musicians curated a playlist that resonated with all generations. Caribbean old-timers reveled in the old-school Caribbean tunes, while Africans, both young and old, danced to the sounds of their time. The inclusive music program created a bubbling atmosphere where dance-offs and joyful circles formed spontaneously.
The commerce aspect of BOTS was equally impressive. The festival featured fusion restaurants offering a wide array of foods from different black backgrounds, local brews, and delectable black-themed snacks. The craft section was a treasure trove of incredible black-owned businesses and startups, including notable artists like Jennie Baptiste. It felt like being at the African center and the AFRO nation at the same time.
The setting of the festival was enhanced by the presence of a water fountain and steps in front of the Museum, creating a visually appealing and relaxing atmosphere. Trafalgar Square’s central location in made it easily accessible, and the tight security ensured that everyone felt safe and protected throughout the event.
In conclusion, Black on the Square was a festival that left a lasting impression on everyone who attended. It was a testament to the power of unity, diversity, and inclusion. Whether you were young or old, able-bodied or disabled, black or white, or from any background, BOTS made sure that everyone felt seen and celebrated. It was a day of music, culture, and love that will be remembered for years to come.
